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Review: Maple Mars’ album ‘Someone’s Got to Listen’
No wonder that Los Angeles is considered as one of the hotbeds of power pop, both ‘then,’ it its seventies heyday, and now, when quite a number of artists is keeping that flame that doesn’t seem to go away quite alive. And for a very good reason at that, because, who as a lover of good pop/rock will not go for a great, ever-expanding melody, vocals and guitars all over the place?

Maple Mars and Rick Hromadka, that band’s leader can certainly be named as one of the keepers of that flame. While Maple Mars, were on some decade-long recording hiatus, Hromadka came up with a classy solo record back in 2020 (“Better Days”), which was named Power Popaholic’s Album of the Year.

Well, Maple Mars themselves are back with Someone’s Got To Listen, another slab of some great melodies, vocals (courtesy of Hromadka), vocal harmonies and some meticulous, sophisticated power pop all over the ten tracks here.

As Hromadka points out, “the central theme would be self reflection and transition,” with the band also paying careful attention to what kind of lyrics they are coupling with their songs.

The final result turns out to be one of the best albums Maple Mars have come up in their 20 or so years together, coming up with a set of songs that not only work on the album itself but will probably be staples in the band’s live show, already renowned for its quality and excitement. - By Ljubinko Zivkovic, Rock At Night Amsterdam

MAPLE MARS: Someone’s Got to Listen (Big Stir)

Marple Mars’ latest sounds like it was transmitted to Earth via the James Webb space telescope. The tracks are long, spacey, and psychedelic, with a cosmic vibe not unlike Astral Drive. “Useless Information” is an anthemic, stadium-ready mind-blower, setting the stage for what’s to follow. Heavy prog space organ, as on “Goodbye California,” runs through the album. Maple Mars has no antecedent, although you can hear echoes of the Pillbugs and Yes. It’s fresh. A touch of Beatlesque psychedelia as on Magical Mystery Tour surfaces on “Sleepwalking.” “Silver Craft” is a massively orchestral sci fi epic with a touch of prog and that swooping, swooning synthesizer. Spacemeister Rick Hromadka mixes in heavenly choir on most tracks, but especially “Crooked Smile.” Reveals new charms on every listen. - Pop Geek Heaven

MAPLE MARS - Silver Craft (Big Stir)
by Toon Traveller

Wow! For a moment I thought I's been transported back to somewhere in that period when psychedelic rock travelled from the astral plains, to the prog rock of Genesis, Yes, ELP and Greenslade, some of you will remember them, but this is the music three generations of style moved on. Lots of travel references, and what sounds like real old old, mellotrons and Arp synths. Some great prod rock's wall of sounds and fret fingering, lip licking guitars, this took me back, back, josh sticks, kaftans, desert boots, and Newcastle Brown Ale. Anti-style, and those lovely last year's of high school, when me an' my mates were fashionably, anti-fashion. If someone told me this was a forgotten band from the 70's I'd believe them, if you loved the 70's and it's prog rock, space travel ethos, then this is a must buy and must listen on repeat, repeatedly, single for you. If you thought punk and new wave killed that prog rock stuff dead, it's reborn here, loud and proud and unashamed, with flailing hair, twiddling keyboards, and I suspect tie dye cheese cloths shirts and velvet loons. It says the old wave is back "and we don't caaaaaaare." I hope their audience finds them, and loves them, they deserve to be heard in big venues and on big stages, lasers, strobes and glittersballs required.   

Big Takeover Exclusives

Long-running Los Angeles psych-rock band Maple Mars has returned with “Someone’s Got To Listen”, their first album in over a decade. The band hasn’t been idle during the downtime — frontman and guitarist Rick Hromadka has released solo albums and side projects — but the new record (out now on Big Stir Records) isn’t just a rejuvenation of the band’s beloved power-pop-via-psychedelia blueprint. It’s big. Like, arena big, the sound of a band stretching out and fine-tuning their long-standing chemistry at the same time. The lead single “Gliding” couldn’t be more aptly titled: it soars. It’s just one of the many tracks hewing to a theme of transformation via travel, with both Hromadka’s words and impassioned vocal taking flight while the band churns away beneath him.

The video for the tune details a journey of another kind. Beautifully photographed by Michael Bulbenko (who also directed the clip), it’s a moving portrait of a woman in her twilight years, visited by memories of her younger self. You can glimpse youthful versions of the band members (Hromadka, guitarist Steve Berns, drummer Ron Pak and bassist Joe Giddings) in on-set photographs, but the moving visuals take center stage. Produced by Fujifilm as a demonstration of the capabilities of their new high end cameras, and at turns nostalgic, vibrant, and mysterious, it’s a treat for the eyes even as it brings a tear to them.

The journey described in the lyrics is a decidedly different form of transition. “The song is a metaphor for being free after a relationship gone bad,” explains Hromadka, and its imagery of flight is just one way the band evokes that freedom on the record. There’s the automotive chug of “Someone Take The Wheel”, the nautical voyage of “Anchors Aweigh” (soon to be accompanied by a video that redefines the term “yacht rock”) and the interstellar travel of “Silver Craft”, whose video can already be seen on the Big Stir Records YouTube Channel. But we’re here for “Gliding”. And whether it’s a transition to freedom or the next world altogether, it’s a hell of a trip. Welcome to Maple Mars… someone’s got to listen.

It's easy to read on screens of eve

Someone's Got To Listen'   
Label: 'Big Stir Records
Genre: 'Rock' -  Release Date: '22.7.22.'

Our Rating:  8/10

Someone's Got to Listen is the first album by Maple Mars for far too long, for fans of this band from Los Angeles, fronted by Rick Hromadka who shares guitar duties with Steve Berns alongside Joe Giddings and Ron Pak.

The album opens with Useless Information an almost familiar sounding power pop song about being overloaded with the sort of Useless Information that drives your friends nuts, as you recite adverts and other nonsense, idle chit chat instead of doing something cool and interesting, like making tunes that remind me of Velvet Crush.

The first single from the album Gliding is next and this is catchy with lots of detail in the production as the song seems to want to soar even in the quieter interludes before the guitars really fly, this would sound good back-to-back with Glide by The Dream Syndicate as they Glide wondrously across your speakers.

Goodbye California was the second single from the album and has a typical tale of the star struck youngster arriving awestruck in Los Angeles before getting to find out the reality, with a glossy sheen and a sound that recalls Hillman Lighthouse, the Byrds reference in that band name also applies here in some ways, as they lyrically re-work Chris Cacavas' California Into The Ocean or at least explore similar themes. This would also work on the soundtrack to the new TV series La Brea's take on the sinking of California.

Anchors Aweigh really ought to be Pirate Metal rather than urgent Power Pop, this has stop start guitars and a rather full kit 15 second drum solo, as I try to figure out which song on Nights Are So Lonely by Michael Monroe this tune reminds me of.

Someone Take The Wheel feels like a sun dappled drive along the coast as you come up on some good weed, I've been trying very hard not to make any references to that overplayed band from Liverpool, but this is so in debt in a great way to Revolver, I have to give in and say yes this is Beatlesque but with enough other elements to not be cringe inducing.

Teenage Dream as a song title for me these days is problematic being sung by anyone over 30, no matter how innocent the song maybe, as they sing of chasing Teenage Dreams and being an accepted part of the scene, as the sound of clinking glasses and a shaker emphasize, what you might want to do to stay all night, this is still a great slice of Power pop, that might just make you think twice about what you would do to realize those dreams.

Sleepwalking has the feel on XTC in the widescreen approach both musically and lyrically and the way the backing vocals work tonally before the breakdown, that has a very 10CC feel to it, in the way it sort of feels like you've transitioned into another place before going back to the main tune.

Silver Craft is setting the controls towards space on that Rocketship that has a rather plaintive acoustic breakdown before everything builds with stuttering percussion as you fly across space.

Crooked Smile isn't the Dan Baird classic, instead this is a slow quietly psychedelic song with sweeping strings and a laid back chilled out air.

The album closes with Redemption that reminds me of Last Great Dreamers in places and is a must to hear for the Guitar freak out in the middle that's just a what! what! what! rewind the selector moment, before the gentle Psychedelic comedown ending.


Someone's Got To Listen, LP, CD, Digital

Big Stir Rds

Let's celebrate the return of Maple Mars for their 1st album in over 10 years!

For their 5th album , the quartet from Los Angeles lands on Big Stir Rds and it sounds obvious!

If, like me, you don't know the 4 previous albums that Maple Mars released between 2001 and 2010, this “Someone's Got To Listen” is a business card that makes you want to catch up!

Because this record sets the bar high.

Very high !

Very very very very high!

The first listening makes you aware that you are in the presence of an exceptional work. And all the following (and given the pleasure we take there, of the following there will be a big big package, believe me) only confirm this impression. And reveal again and again qualities to these 10 SONGS!

The dosage that Maple Mars puts in its compositions is perfect!

Just the right amount of POP, a hint of Psyche (but never too much), a dash of Indie 90s, the right amount of Power Pop, arrangements worthy of Burt Bacharach  when necessary… in short

everything you dream of hearing in an album

a collection of 10 songs that immediately sound like classics

and which also constitute a coherent whole

who sleeps and already is one of the BIG DISCS of 2022

but above all

an inexhaustible source of joy and pleasure!!!! - VOIX DE GARAGE GRENOBLE

​Maple Mars

Galaxyland (Kool Kat Musik)


By Robert Steven Silverstein (Music Web Express)


Kool Kat MusiK really hits its stride with the 2010 CD release of the latest Maple Mars album entitled Galaxyland. Founded by singer-songwriter and electric guitar ace Rick Hromadka, the four piece Maple Mars have recorded their definitive pop masterpiece that spans generations while drawing from the world of pop gone by. A triple threat musician, Rick Hromadka is a real hero among the pop intelligencia and the IPO crowd and there’s no escape from his galaxy of pop sounds. One early comparison I thought about while spinning Galaxyland was a cross between the classic ‘60s pop band The Association as produced by Jimi Hendrix! Hromadka has a great guitar sound that Hendrix would dig while his healthy respect for pop’s past puts him on the right road. The sound of the Galaxyland CD fully captures the vast Maple Mars pop composite. Backed by Ron Pack (vocals, drums), Trevor Zimmerman (vocals, bass) and Steve Berns (guitars), Rick serves the Maple Mars spirit well and kicks it into overdrive on what will come to be viewed as the group’s best album to date. Also, don’t just buy the download, but check out the expertise put into the design and color schemes of the CD cover art, booklet and packaging. Back in the ‘60s a cover like that would stop you in your tracks and it would probably be bought immediately, back when album jackets were considered art. You can go follow Rick and Maple Mars on Facebook where you can often find him postulating on the meaning of just what qualifies as a classic album! Such devotion to the pop art form springs to life in Galaxyland. As far as the definition of pop “classic”, may I be so bold as to infer that Maple Mars comes pretty darn close on Galaxyland I might add.

See my interview with Rick Hromadka here:


The International Pop Overthrow readies 13th annual two-week takeover of L.A. and O.C.

July 22nd, 2010, 11:52 pm ·


It wouldn’t be summer in Southern California without a good heatwave, at least a couple exciting baseball games … and plenty of musical confections at International Pop Overthrow.

Indeed, founder David Bash’s power-pop-apalooza, better known as simply IPO, is marking its 13th annual stretch of shows this summer, scattered at nearly a dozen venues throughout Los Angeles and Orange County from July 23 through Aug. 8.

Fans of power-pop — that timeless, highly melodic brand of rock that counts the Beatles, Cheap Trick, the Bangles, the Raspberries, Fountains of Wayne and the Smithereens among its pantheon of champions of accessible songcraft — will surely find plenty to love at any (or all) of the IPO dates.

As a guide, I thought I’d single out a few of the more noteworthy acts with new releases, almost always sold (and signed) at these shows. But note: most only perform for about 20 minutes. Best to arrive to IPO gigs on time!

Maple Mars are somewhere between the psychedelic pop of Brian Wilson’s SMiLE and the riotous drive of Big Star comes this band’s latest dozen-track collection, which keeps accessible while never letting down its artistic guard. Lead singer-guitarist Rick Hromadka, guitarist Steve Berns, bassist Trevor Zimmerman and drummer Ron Pak dish out trippy ballads (“Big Imagination,” “When Bridges Fall”) with as much zeal as their more explosive material (“Borrowed Sunshine,” “Somewhere Back There”) and haunting dreamscapes (“The Excursion”). See the band July 23, at 7:30 p.m. at The Joint in an especially strong bill that also includes the Galaxies, Smash Fashion and Twenty Cent Crush, $10.

Musosribe - Bill Kopp’s Music Blog


Album Review: Maple Mars – Galaxyland

Intelligent, well-produced powerpop generally draws its inspiration from a rather short list of influences. While the most mediocre powerpop tends to chase its own tail – serving up predigested, overly derivative pop you’ve heard before – the better quality stuff manages to have it both ways: remaining firmly grounded in the powerpop tradition of its foreberars, and still offering something new and exciting.

The latter is tougher than it might seem. I have no problem at all with derivative acts: Take my favorite critical punching bag, Oasis. They served up little in the way of originality. Did it keep them from creating a couple great albums (and some good ones? It did not.

In any event, Maple Mars‘ new album Galaxyland succeeds against the odds. While it’s true that to be successful in the powerpop genre, you simply have to pay a stylistic debt to the canon of influences (Beatles, Who, Raspberries, Big Star, etc.) it remains possible to maintain one’s individuality. But to do that you have to have that identity to begin with. Maple Mars does.

Right out of the gate, the band makes a stylistic nod to the works of Tommy Keene and Teenage Fanclub. “The Excursion” has the lyrical texture of Keene’s work, and the instrumental attack has that sweet/sour balance of poppy grunge for which Scotland’s finest are known. As an added bonus, the song’s subject matter is a perfect leadoff to a loosely-defined album concept a la Jason Falkner’s “The Invitation” or (dare I say) “Sgt. Pepper’s Lonely Hearts Club Band.”

So on Galaxyland Maple Mars establish early that their antecedents are once or twice removed from the Founders of Powerpop. That’s fine: they’re a young band. One takes inspiration from where one finds it.

Especially on its bridge, “Starting Over (Again)” suggests that these Maple Mars guys (mostly Rick Hromadka) have been partaking of the Grip Weeds. The song features punchy arrangement slathered with creamy harmonies. Had Galaxyland been released fifteen years ago, it would have driven Jordan Oakes crazy: which of several fine tracks to include on the latest Yellow Pills collection? Dual lead guitar fills conjure smile-inducing memories of Thin Lizzy.

Fender Rhodes piano is the foundation of the ballad “Big Imagination.” With a feel similar to Pilot, the track is impressively arranged, with the instrumentation expanding as the song unfolds. That 1970s approach of wedding big (yet brief) stadium-size guitar solos to midtempo/ballad arrangements is in full flower here.

Maple Mars show that their understanding and appreciation of powerpop goes fairly deep. They cover Mark Radice’s 1972 song “New Day.” Now, Radice is a fine artist, but his name will elicit blank, unknowing stares from most music fans. They’re more likely to know who, say, Van Duren is. But the song is a gem, performed here in a baroque-rock style similar to another criminally underappreciated band, North Carolina’s Gladhands.

“Transcendental Guidance” mixes the acoustic side of Badfinger, the soft, chiming rock of Pilot and the lyrical focus of Beach Boys from that same time period. “Citizen Roger” looks (relatively) forward: the song would easily fit on Redd Kross’ 1993 Phaseshifter. The song starts as a midtempo tune, but builds the ferocity of its attack as it develops. And as I’ve written many, many times before, I’m a total pushover for effective use of “ba ba ba” as lyrical material. Maple Mars nails it here, delivering the ba ba ba with an anthemic boom. The song’s outro features that plus a killer riff that’s repetitive in the best way, making the track a highlight of an excellent album.

“When Bridges Fall” is the latest in a proud line of mini-baroque numbers from rock artists. The Beatles’ “Eleanor Rigby,” Paul Revere and the Raiders’ “Undecided Man,” you get the idea. Here the orchestration is kept simple and straightforward, and has just the right amount of edge to make it closer in feel to No Answer-era Electric Light Orchestra.

If “Borrowed Sunshine” wasn’t intended as a Tommy Keene tribute, it should be. The song conjures up all of the best of Keene’s style, balancing wistful, bittersweet feel with a sort of unbridled joy. And the song’s second half adds even more texture, heading into “oooh” territory. It’s worth noting that few bands this side of 1960s-era Beach Boys have the ability to credibly sustain “ooh” as the lyric for more than a few bars. Maple Mars can be added to that list.

“Add the Numbers” features a pleasingly stripped-down arrangement that suggest what Jellyfish might sound like with less instrumentation, and if the songs were written on guitar rather than keyboards. Despite its name, “Head Turner” is not an ode of love to Linda Blair, but it is a love song.

Galaxyland wraps up with “Somewhere Back There,” a bright and bouncy tune that restates all of the album’s best qualities. Ringing guitars, an insistent beat, those oh-so-1967 descending piano lines, clever sound effects…it’s a sturdy pop tune with kitchen sink production. A Queen-like guitar solo gives the track just the right feel, helping to make it a timeless powerpop song, rather than one that’s firmly rooted in a particular sub-sub style.

And that quality is true of the whole album. If you like powerpop, you’ll like Galaxyland. Simple as that

Broken Hearted Toy Blog

Reviews Galaxyland

The space age art on the cover of Galaxyland, the latest release from recent International Pop Overthrow participants Maple Mars, gives an indication of the CD’s imaginative mix of power pop and psychedelic rock. Most of the tracks were composed and produced by vocalist Rick Hromadka, who plays several instruments, in addition to lead guitar. He has a penchant for big and ambitious arrangements that occasionally lean toward progressive rock, particularly on “Big Imagination” and “New Day.” But overall, Galaxyland is filled with fetching melodies and tight harmony vocals.


“Somewhere Back There” is straight up pop, ala mid-1960s Beatles or Hollies, and Hromadka’s singing captures the era perfectly. His vocals are one of the CD’s consistent pleasures, whether it’s on “Head Turner,” an intricate, acoustic tribute to beauty and nature, or on the energetic opening track, “The Excursion.” After an acoustic intro, “Starting Over” offers a catchy celebration of the saving power of love, while the heartfelt soul-searching of “When Bridges Fall” benefits from a lilting string arrangement. - Terrence Flamm

Foxy Digitals - Maple Mars "Galaxyland"

The fourth album of power pop bliss from this LA quartet, led by singer-songwriter/guitarist Rick Hromadka, continues to mine the golden influences of Big Star, Pink Floyd, Cheap Trick, The Beatles, and Flaming Lips. That pedigree sets you up for a varied album with tinges of psych pop, avant garde elements, wall-to-wall production (by Hromadka and fellow guitarist Steve Berns, admittedly inspired by Jeff Lynne), and soaring harmonies straight out of Power Pop’s early 80s heyday.


The band complement each other well, leaving egotistical guitar wankery at the studio door, all in the service of the perfect hook. Highlights include the Todd Rundgrenesque “New Day,” the dreamy “Transcendental Guidance,” the catchy “Add The Numbers” and the lovely “Head Turner.” Oh, and the release has one of the best covers of the year! 8/10 -- Jeff Penczak - (30 June, 2010)

Italian Galaxyland Review


Disco del Giorno 23-07-10: Maple Mars - Galaxyland (2010; Kool Kat)

A tre anni di distanza dal gustosissimo Beautiful Mess ritornano i Maple Mars, che poi in sostanza significa che a tornare è Rick Hromadka, originale autore losangelino che dei Maple Mars è in pratica la mente unica. Si parla dei quartieri pop della Città degli Angeli, ed avendo in mente le tinte pastello del precedente album di studio ci si potrebbe/dovrebbe aspettare il solito concentrato di "liquido sole californiano" che in quaranta e passa anni di storia ha deviato milioni di appassionati trascinandoli dai Byrds ai Cloud Eleven. L'apertura The Excursion semra un buon viatico in tal senso, forse meno soft di quanto ci si aspettasse, certo, ma pur sempre uno standard pop-psych di quelli che a Hromadka riescono sempre bene. Il fatto è che stavolta Rick ha voluto dare sfogo a tutta la propria creatività, senza limitarsi a sviluppare la parte di essa che molti di noi hanno imparato ad apprezzare nel corso degli anni (e degli album).


Galaxyland, sorta di album concettuale dedicato ad un'ipotetica città spaziale, migra infatti ovunque sia possibile cercare tracce di vita pop, senza disdegnare nulla e mantenendo in ogni caso una coesione di fondo che conferisce forza e credibilità all'intera collezione. Se le preferenze dell'autore sono naturalmente dirette alla psichedelia melodica della già citata traccia inaugurale, di New Day e di Trascendental Guidance, bisogna rendere omaggio ai tentativi di esplorazione anche floydiani di Prelude: New Day e ad altre divagazioni sul tema che alla vigilia non erano per nulla scontate. Parliamone. Starting Over (Again) aggiunge al pacchetto dosi supplementari chitarristiche che sconfinano nei territori occupati anni fa dai Cheap Trick. Nel frattempo, Borrowed Sunshine pare il titolo perfetto per un brano che sembra estratto da una chart britpop del '96, ed Head Turner dimostra quanto tatto abbia Rick nel trattare delicati frammenti acustici. Il bello arriva in fondo, però, perchè il brano migliore della raccolta, almeno per il sottoscritto, è senza dubbio Somewhere Back There, tormentone bubblegum dove sembra di assistere ad una performance dei Jellyfish fronteggiati da Matthew Smith.


In conclusione, Galaxyland è un album che mi sento di consigliare a varie categorie di appassionati e, chiaramente, a tutti quelli che oggigiorno, quando si parla di pop chitarristico, si possono definire onnivori. Rick Hromadka rimane uno dei maestri della scena di L.A. in fatto di pop psichedelico, ma in questo caso ha deciso di non accontentarsi e ha dimostrato di essere, passatemi la definizione cestistica, uno dei migliori all arounder della costa occidentale. - Emmanuel Nolo Marian


Robert Pally Review


«Galaxyland» ist das vierte Album der Band um Rick Hromadka (ehemals Double Naught Spies). Qualitativ sind bei den zwölf Songs keine Ermüdungserscheinungen auszumachen, im Gegenteil. Rick Hromadka, Sänger und Hauptsongschreiber versteht es gekonnt Versatzstücke aus Power Pop, Pop der frühen Siebziger und Psychedelik zu einem organischen, vielschichtigen und vor allem harmonischen Ganzen zu verquicken. Was dabei auffällt, sind die ausgefeilten Gesangspassagen, die manchmal Wendungen nehmen, die man nicht erwartet. «Big imagination» ist, was die Strophen anbelangt relativ unspektakulär. Für den Chorus nimmt der Song aber eine überraschende Wendung. In «Citizen roger» machen Maple Mars einmal mehr Anleihen bei Pink Floyd. An anderen Stellen werden Bezüge zu Jellyfish gewahr, wie auch schon auf früheren Alben. Und mit «New day» (Song von Mark Radice von seinem Debüt von 1971) beweist Hromadka überdies ein sicheres Händchen für exzellente unbekannte Coverversionen.


8.5 out of 10



Psychedelic Central reviews Galayland


Maple Mars is fronted by Rick Hromadka (formally of LA pop icons Double Naught Spies), accompanied with producer/guitarist Steve Berns, bassist Trevor Zimmerman and drummer Ron Pak.


"Galaxyland" is the 4th and latest (2010) release for Maple Mars, which is an extraordinary multi-layered timeless space-age concept album; that miraculously expresses Rick Hromadka's seemingly effortless ability to consistantly pioneer furocious hybrid psychedelic powerpop tunes after another.. Although "Galaxyland" is uniquely self-styled; some of the songs strongly recapture the essence and feel of the delightful Beatlesque melodies and classic early work of the 1970's modern rock era in reminiscence to bands such as ELO, Cheap Trick and Bad Finger, among others.. which venture into a more experimental direction and outwardly possess a dynamic and creative energy that packs a punch far beyond the 3 minute bubble-pop balladry; with roaring hard rocking guitars over mid-tempo grooves and heavy motifs; that transcends time and trend bringing the old standard melodic pop formulas to soaring heights!


I would like to further note, that although "Galaxyland" reflects some of the great earlier predecessors as mentioned; it boldly stands out on its own! In the sense; that often when artist attempt to intertwine past and futuristic sounds that echoes their inspirations; they may come up with an array of outlandish songs with good vocal talent and instrumentation; while producing a nice sounding album with a particular song or two that may be good...but they are not Great!!! For the reason being, the songs lack thier own genuine self-styled emotional energy that characterizes the songs; by trying to overly embrace and imitate thier predecessors in a newfangled approach; that more often than not mutilates the authenticy of thier music! Rick Hromadka on the other hand, has beautifully accomplished combining the elements of the past, present and future in a bona fide tenor of his own that is outpouring with unpredictable deep bone chilling emotional energy and talent that is stupendously ripping and rolling far beyond just good vocals.. "Galaxyland" does not have a good song.. it has many great songs with the potential of becoming futuristic classics! From "The Excusion" and "Tanscendal Guidance"; which are stellar psychedelic - pop tunes; the thundering power-pop in "Starting Over", to the sweet charming harmonies of "New Day", and the folkier sensualistic "Head Turner"; all of which are fantastic songs.. among other invigorating tracks on the album garnering superb honorable qualities; that has made listening to "Galaxyland" a beautiful enlightened experience! Highly Recommend!


Jan (editor) Psychedelic Central



Galaxyland review from UK!


MAPLE MARS – Galaxyland (Kool Kat)

A vehicle for singer, songwriter, guitarist and Emmy winning sound designer Rick Hromadka, the LA quartet have been knocking around for the best part of a decade, releasing their debut album back in 2001. This is their fourth and, save for a cover of New Day by forgotten 70s singer Mark Radice, is all written by Hromadka and loosely hangs around the idea of a theme park in lunar orbit.

It’s a bit like being given a tour of his record collection as you pick up kindred influences like Jellyfish, 10cc, The Beatles, ELO, Klaatu, and, on opening track The Excursion, perhaps a dash of The Wannadies too. On numbers like the 60 psychedelic pop Transcendental Guidance and Starting Over (Again) the lyrics can feel a bit clunky, but that’s readily forgiven when you hear something as lovely as the strings backed baroque pop of When Bridges Fall, Somewhere Back There’s California sunshine beat or the romantic tenderness that spills over the slow waltzing Head Turner. There’s no UK distribution, but you can download from Amazon or track copies down atKool Kat Musik Kool Kat Musik


Mike Davies (Roots and Branches)


Cool, totally catchy modern guitar pop. Maple Mars is the band spearheaded by Rick Hromadka...a fellow with a genuinely cool knack for turning a tune. The press release that accompanied this disc compared the music to Pink Floyd, Cheap Trick, Jellyfish, and The Beatles...all of which are appropriate depending on which song is being discussed. Rick writes songs that are classic in nature...ultimately listener friendly and wonderfully catchy. Even the cover tunes work...Hromadka provides well-crafted renditions of Mark Radice's "Prelude: New Day" and "New Day." Beautifully resilient pop cuts include "The Excursion," "Big Imagination," "Citizen Roger," and "Somewhere Back There." Smart modern pop with a cool kick. Top pick.


5 out of 5 Stars! - (



Absolute Power Pop


A welcome return from Maple Mars frontman Rick Hromadka greets us on Galaxyland. The spacey concept album starts with "The Excursion" filled with detailed rhythms, guitar melodies and expansive psyche pop touches that compare well with Lynne-era Move. Following this is "Starting Over (Again)" which has a gorgeous 70's styled big rock guitar sound, fans of the band Boston will love this. Give credit to Rick and his band: Steve Berns (guitar), Ron Pak (drums) and Trevor Zimmerman (bass) for the fantastic production and memorable melodies. "Big Imagination" has a heavy gloss that combines Steely Dan with Klaatu, and it's a real keeper. And the band brings on the prog pop heavy guns with Mark Radice's "Prelude: New Day" and it continues with the acoustic "New Day." It starts to get bit preachy with "Citizen Roger" like an early Yes and Pink Floyd hybrid. The lyrical message works better on "Borrowed Sunshine" an excellent song that speaks to today's recent lack of faith in institutions, and the "struggle to see things through." It ends on a high note with the bouncy gem "Somewhere back there" full of layered harmonies. I feel Rick has taken Maple Mars to the next level here. Kool Kat is now offering the album with a bonus disc with five additional tracks. Highly recommended indeed! - Powerpopaholic


Keeping the bands with food-related names theme going, we'll also feature another track by Los Angeles-based Maple Mars, off their brand new album Galaxyland. Rick Hromadka's really put together a psychedelic masterpiece, and I'm looking forward to serving a piece up for you! - Mike Lidskin (Twirl Radio)


Maple Mars-Galaxyland


Maple Mars follows up their outstanding 2007 release Beautiful Mess with Galaxyland, a loose concept album about a theme park orbiting the moon. It's kind of fitting since their music has always had a space-age pop element, drawing from Klaatu and ELO as well as the Beatles and Badfinger. There's plenty to like here: "The Excursion" is top-drawer psych pop, "Big Imagination" channels the laid-back 70s SoCal sound, "Transcendental Guidance" is another of those tracks that sounds like its title, and the string-laden "When Bridges Fall" recalls Cloud Eleven. A real highlight is the resurrection of "New Day", a minor early 70s hit for Mark Radice. The CD comes in a gatefold sleeve not unlike a 70s album, and Kool Kat (the store) is offering up an exclusive bonus disc titled Extra Orbits with five bonus tracks. The whole thing is groovy. - Absolute Powerpop




Maple Mars -- Beautiful Mess (Kool Kat)


Rick Hromadka keeps rolling. His layered bright power pop sounds are married to strong songwriting on a wonderful third album that pretty much picks up where his last disc left off. For all of the gloss and flash and pristine harmonies, many of Hromadka’s songs have real emotional weight. So it’s not just about catchy hooks as there are real feelings coming from almost every track.


Hromadka believes in the power of music (wasn’t that a Triumph or Rush lyric...never mind...), which comes through on track after track. He makes this belief blindly obvious on the lush “Listen”, where a pillow of acoustic guitars lulls the ears, preparing them for the cotton candy melody that carries the verses. It has a bit of a psych-pop feel, with a bass part that anchors the song and keeps it from floating away in the ether. This song is comparable to the best of Cloud Eleven.


One other song, “Between Two Worlds”, merits comparison to Cloud Eleven (another great contemporary pop group led by a man named Rick -- are we at the forefront of the Rick Rock movement?), this time, by way of The Beach Boys. Certainly, the desolate piano intro, with Hromadka singing in the wilderness, has a certain Brian Wilson quality to it. As the other instruments join in, this heads into Todd Rundgren-spiked-with-a-bit-of-Jellyfish territory. The song then moves into guitar land, with a beautiful extended guitar solo (and the above referenced Rick Gallego adding some pedal steel). This song is calculated to give the listener a melty feeling. Right before the fade, a piercing synth part comes in, as if Hromadka is showing you that he had even more icing for this cake.


This track follows his ace cover of a stone cold classic, 10CC’s “I’m Not in Love”. It’s a pretty daring choice, since the song is so distinctive, both as a composition and as a production. Hromadka doesn’t mess with the basic arrangement -- how could he, as it is perfect. Instead, he focuses on smaller details. This is almost like remix, as he finds different places to put in angelic backing vocals. On the whole, this is more restrained, allowing for focus on the elegance of the melody. I should also note how spot on Hromadka is on the lead vocals. As with his own compositions, Hromadka is fully engaged with the material. This doesn’t top the original, but it is pretty swell on its own.


Hromadka still rocks, by the way. “Butterfly Effect” is another thoughtful piece of riffy power pop. Hromadka surveys the damage caused by a relationship that apparently just can’t work, although there has been a lot of hard work to keep it going. I can’t suss out if this is a battle between love and lust (“getting caught up was so exotic/until it all became so chaotic” may be a hint). But he hits the nail on the head when he sings “love will never come painless.” Truer words were never sung. Even with the big flash guitar, the melody has an emotional pull, and that tension works well.


Speaking of flashy guitar, you get a big dose of that on the hyper poppy title cut. If Queen came from California, and didn’t become Jellyfish, this is a song they would have waxed. This song sounds like a sunnier “Killer Queen”, a fact made apparent when Hromadka lays down some Brian May guitar, and borrows some production tricks from that Queen classic. Throw in some Beach Boys styled backing vocals and a head bopping chorus, and we have yet another winner.


Three albums down the line, Hromadka shows no signs of stopping. This album is as good, if not better, than the first two. Buy it now and it’s likely there will be a fourth one just as good. - Mike Bennett(


Maple Mars - Beautiful Mess

#2 for 2008! Shindig Magazine


Circular Haze

David Bash (Amplifier/IPO Founder) "Circular Haze is absolutely, without question, the best album of pure psychedelic power pop you’ll hear this year."


Bruce Brodeen (Not Lame Recordings) "Extremely Highly Recommended!"


Mike Bennett ( "On this second Maple Mars record, Rick Hromadka and his bandmates make the studio a gigantic canvas, and they layer on guitars, backing vocals and keyboards in

equal measure with the numerous catchy bits. This is retrofuturistic guitar



Jeremy Morris (Jam Records) "Here it is!!! One of the best power pop releases of 2003."


Goran Obradovic (Popism) "After spending some time “undercover” as one of the Double Naught Spies and the Maple Mars' debut album a coupla years ago, Rick Hromadka comes back with his best work to date."


Kerry Kompost (Newspaper Taxi) "Definitely a 2003 top-ten!"


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